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The point of view in any story is important because it provides a guide to manage the execution of your story. Most works of fiction use one point of view although a second perspective can be brought into the story for a short period of time.

Third Person Perspective is the most common method of conveying a work of fiction. This method allows the narrator to have at least limited omniscience. The narrator has limited access to the knowledge and feelings of the characters in the story and can take the reader from one character setting to another easily. There is no questioning of how the narrator knows so much about each individual; it is a premise that is simply accepted by most readers.

Unlike first person perspective that conveys the story from the perspective of a cast member, third person perspective narration does not allow the narrator to actually participate in the action. They are simply the mechanism that operates outside the story to bring the various story threads together.

If a writer were to give the narrator full access to all feelings and thoughts of the cast of characters the story would be a little flat because nothing would be left to the imagination.

Third person narratives can be spotted by the predominate us of words such as they, he, she and it. The narrator talks about others - never about himself.

The least common perspective is Second Person Perspective. Very few novels can utilize this approach throughout an entire work.

This type of fiction relies on words like you and you’re. The use of this type of perspective either assumes you will connect with the story as if it is written to you or that you will understand you are reading a private story written to and about someone else. It is rare to find a full manuscript that uses this perspective although an Epistolary Novel such the C.S. Lewis masterpiece “Screwtape Letters” may likely be considered second person perspective in its entirety.

The trouble many writers get into is an unintentional shift in perspective. This can be used effectively under certain circumstances, however the shift in perspective needs a breaking point to allow the reader to gain some understanding that a shift has taken place. Without a break to qualify the shift in point of view the story becomes confusing because the reader has to work hard at discovering who is actually telling the story.

The point of view in any story is important because it provides a guide to manage the execution of your story. Most works of fiction use one point of view although a second perspective can be brought into the story for a short period of time.

Third Person Perspective is the most common method of conveying a work of fiction. This method allows the narrator to have at least limited omniscience. The narrator has limited access to the knowledge and feelings of the characters in the story and can take the reader from one character setting to another easily. There is no questioning of how the narrator knows so much about each individual; it is a premise that is simply accepted by most readers.

Unlike first person perspective that conveys the story from the perspective of a cast member, third person perspective narration does not allow the narrator to actually participate in the action. They are simply the mechanism that operates outside the story to bring the various story threads together.

If a writer were to give the narrator full access to all feelings and thoughts of the cast of characters the story would be a little flat because nothing would be left to the imagination.

Third person narratives can be spotted by the predominate us of words such as they, he, she and it. The narrator talks about others - never about himself.

The least common perspective is Second Person Perspective. Very few novels can utilize this approach throughout an entire work.

This type of fiction relies on words like you and you’re. The use of this type of perspective either assumes you will connect with the story as if it is written to you or that you will understand you are reading a private story written to and about someone else. It is rare to find a full manuscript that uses this perspective although an Epistolary Novel such the C.S. Lewis masterpiece “Screwtape Letters” may likely be considered second person perspective in its entirety.

The trouble many writers get into is an unintentional shift in perspective. This can be used effectively under certain circumstances, however the shift in perspective needs a breaking point to allow the reader to gain some understanding that a shift has taken place. Without a break to qualify the shift in point of view the story becomes confusing because the reader has to work hard at discovering who is actually telling the story.

One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment. - Hart Crane

Some of the best advice for writers in the 21st century comes from those who have seen their successes and offer advice from their own experience. Let’s draw from that brain trust.

On Writing Well

Show don’t tell. - Henry James

Don’t say the old lady screamed — bring her on and let her scream. - Mark Twain

Cut out all those exclamation marks. An exclamation mark is like laughing at your own joke. - F. Scott Fitzgerald

First drafts are for learning what your novel or story is about. - Bernard Malamud

Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page. When people tell me I’ve kept them up all night, I feel like I’ve succeeded. - Sidney Sheldon

Don’t mistake a good setup for a satisfying conclusion — many beginning writers end their stories when the real story is just ready to begin. - Stanley Schmidt

On Inspiration

Nighttime is really the best time to work. All the ideas are there to be yours because everyone else is asleep. - Catherine O’Hara

I know writers who write only when inspiration comes. How would Isaac Stern play if he played the violin only when he felt like it? He would be lousy. - Madeleine L’Engle

If you wait for inspiration, you’re not a writer, but a waiter. - Anonymous

You can’t wait for inspiration. You have to go after it with a club. - Jack London

The best way to become a successful writer is to read good writing, remember it, and then forget where you remember it from. - Gene Fowler

Read, read, read. Read everything — trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. - William Faulkner

The best time for planning a book is while you’re doing the dishes. - Agatha Christie

So this is always the key: you have to write the book you love, the book that’s alive in your heart. That’s the one you have to write. - Lurleen McDaniel

In the second part in this series we will look at a few words of wisdom from authors regarding writer’s Block, motivation and editing skills.

One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment. - Hart Crane

Some of the best advice for writers in the 21st century comes from those who have seen their successes and offer advice from their own experience. Let’s draw from that brain trust.

On Writing Well

Show don’t tell. - Henry James

Don’t say the old lady screamed — bring her on and let her scream. - Mark Twain

Cut out all those exclamation marks. An exclamation mark is like laughing at your own joke. - F. Scott Fitzgerald

First drafts are for learning what your novel or story is about. - Bernard Malamud

Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page. When people tell me I’ve kept them up all night, I feel like I’ve succeeded. - Sidney Sheldon

Don’t mistake a good setup for a satisfying conclusion — many beginning writers end their stories when the real story is just ready to begin. - Stanley Schmidt

On Inspiration

Nighttime is really the best time to work. All the ideas are there to be yours because everyone else is asleep. - Catherine O’Hara

I know writers who write only when inspiration comes. How would Isaac Stern play if he played the violin only when he felt like it? He would be lousy. - Madeleine L’Engle

If you wait for inspiration, you’re not a writer, but a waiter. - Anonymous

You can’t wait for inspiration. You have to go after it with a club. - Jack London

The best way to become a successful writer is to read good writing, remember it, and then forget where you remember it from. - Gene Fowler

Read, read, read. Read everything — trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. - William Faulkner

The best time for planning a book is while you’re doing the dishes. - Agatha Christie

So this is always the key: you have to write the book you love, the book that’s alive in your heart. That’s the one you have to write. - Lurleen McDaniel

In the second part in this series we will look at a few words of wisdom from authors regarding writer’s Block, motivation and editing skills.

Like most creative professions the question of a qualified success in writing is not easy to concentrate into one definitive answer.

Just as there are a multitude of writing styles, so too are there many examples of writing success.

Examples

1. “If I can just finish my first story, I will have success.”

2. “If I can just work up the courage to submit this to a publisher, I will have success.”

3. “If I can actually receive a check in the mail for a magazine article, I will have success.”

4. “If I can just publish my first book, I will have success.”

5. “If I can just have my book published by a major publisher, I will have success.”

6. “If I can just get my book in the bestseller list, I will have success.”

7. “If I can just keep up with all the writing work I have been commissioned to do, I will have success.”

8. “If I can only be thought of in the same way as other literary giants, I will have success.”

“The secret of contentment is knowing how to enjoy what you have, and to be able to lose all desire for things beyond your reach.” Lin Yu-t’ang

There is a difference between contentment and complacency. In the first case, we learn to be happy in the circumstances we find ourselves in. In the second case, you simply settle for where you are without an interest in doing something more.

“A man will never be content with what he wants until he is content with what he has.” - Bill Gothard

As writers we should always reach for our best. It is a good idea to set a small attainable goal for the short term with perhaps a one and six year plan in place for where we would like to be. This goal can be readjusted annually.

The problem many writers have is they set their goals so high they may not be able to reach them, or they make the goal sacrosanct they miss out on life in pursuit of the goal. Should they actually reach the goal, the effect of reaching the pinnacle often serves as a pin to pop an inflated balloon. For some, the ultimate goal they have chosen leaves them feeling hollow because they never understood the need for contentment. Once the ‘ultimate goal’ is realized the author has nothing more to look forward to and they struggle through issues related to their overall motivation.

By learning the fine art of contentment while refusing to be complacent will serve you well as you wrestle with issues of personal writing success.

Like most creative professions the question of a qualified success in writing is not easy to concentrate into one definitive answer.

Just as there are a multitude of writing styles, so too are there many examples of writing success.

Examples

1. “If I can just finish my first story, I will have success.”

2. “If I can just work up the courage to submit this to a publisher, I will have success.”

3. “If I can actually receive a check in the mail for a magazine article, I will have success.”

4. “If I can just publish my first book, I will have success.”

5. “If I can just have my book published by a major publisher, I will have success.”

6. “If I can just get my book in the bestseller list, I will have success.”

7. “If I can just keep up with all the writing work I have been commissioned to do, I will have success.”

8. “If I can only be thought of in the same way as other literary giants, I will have success.”

“The secret of contentment is knowing how to enjoy what you have, and to be able to lose all desire for things beyond your reach.” Lin Yu-t’ang

There is a difference between contentment and complacency. In the first case, we learn to be happy in the circumstances we find ourselves in. In the second case, you simply settle for where you are without an interest in doing something more.

“A man will never be content with what he wants until he is content with what he has.” - Bill Gothard

As writers we should always reach for our best. It is a good idea to set a small attainable goal for the short term with perhaps a one and six year plan in place for where we would like to be. This goal can be readjusted annually.

The problem many writers have is they set their goals so high they may not be able to reach them, or they make the goal sacrosanct they miss out on life in pursuit of the goal. Should they actually reach the goal, the effect of reaching the pinnacle often serves as a pin to pop an inflated balloon. For some, the ultimate goal they have chosen leaves them feeling hollow because they never understood the need for contentment. Once the ‘ultimate goal’ is realized the author has nothing more to look forward to and they struggle through issues related to their overall motivation.

By learning the fine art of contentment while refusing to be complacent will serve you well as you wrestle with issues of personal writing success.

Writing for online publishing can be a tricky undertaking especially considering that what may be popular today may not be so in a month or two, thereby making what you wrote irrelevant.

To overcome the possibility of your words falling to the ground instead of being received by your customers’ eyes you need to determine if the subject matter is a trend or a fad.

By trend I mean the following: the general market is making a permanent or long term move in a particular direction. An example of a trend would be the movement away from adjustable rate mortgages to fixed rate mortgages.

By fad I mean the following: the general market or an important segment of that market is making a temporary move in a particular direction. An example of a fad would be zero percent mortgages.

If you update your web site frequently, you can and probably should cover both trends and fads in order to capture a greater amount of market share. Going with “what’s hot” effectually covers the fad market for your business, while going with whatever trends that the market is displaying keeps your business current with today’s business practices.

The Solution: Simply monitor your site’s content and periodically remove “fad” material in order to keep your site fresh and relevant.

Writing for online publishing can be a tricky undertaking especially considering that what may be popular today may not be so in a month or two, thereby making what you wrote irrelevant.

To overcome the possibility of your words falling to the ground instead of being received by your customers’ eyes you need to determine if the subject matter is a trend or a fad.

By trend I mean the following: the general market is making a permanent or long term move in a particular direction. An example of a trend would be the movement away from adjustable rate mortgages to fixed rate mortgages.

By fad I mean the following: the general market or an important segment of that market is making a temporary move in a particular direction. An example of a fad would be zero percent mortgages.

If you update your web site frequently, you can and probably should cover both trends and fads in order to capture a greater amount of market share. Going with “what’s hot” effectually covers the fad market for your business, while going with whatever trends that the market is displaying keeps your business current with today’s business practices.

The Solution: Simply monitor your site’s content and periodically remove “fad” material in order to keep your site fresh and relevant.

Have you ever had anyone criticize your writing? Maybe they were just having a bad day. After all some people just can’t seem to say anything nice.

Not everyone is comfortable with criticism, but there may be times when it provides just what you need to move forward in your writing.

There is a man that’s been called the “Simon Cowell of Christian Publishing”. A few quotes from Chip MacGregor might allow you to see that he’s far from being the touchy-feely type. The following quotes were part of a July 2006 interview with Chip MacGregor who is the Associate Publisher with Hachette Book Group USA. The quotes are part of a lengthy interview conducted by the staff at Novel Journey.

“The reason most wannabe authors remain unpublished is because they just aren’t willing to put in the time, to do the hard work and become better at the craft of writing. In other words, laziness will keep you from being a great writer.” &ndash Chip MacGregor

“Some people (many people) seem to be fans, and send me nice notes on occasion, like when they’ve gone off their meds or had too much to drink. Others clearly do NOT like me. Especially nice church ladies who can’t understand why I’d say that a book is bad or a writer has done a terrible job.” &ndash Chip MacGregor

“The only way I could finish the stupid thing was to tear out the pages I’d read and light them on fire, in hopes that occasionally sticking my hand into the flames would keep me awake. Mourn the trees that died so this tome could see print.” &ndash Chip MacGregor

“I’d suggest that many of the Old Testament prophets helped the culture make strides not by being nice, but being honest &ndash even blunt. Ditto Paul. Ditto Jesus, for that matter (take a peek at his criticisms of the upstanding church leadership of His day).” &ndash Chip MacGregor

“So what’s the harm in being honest? Even brutally honest? Can’t we all admit we’ve got stuff to learn?” &ndash Chip MacGregor.

“90% of the stuff I reject is rejected for one reason: it isn’t good enough.” &ndash Chip MacGregor

MacGregor does have advice for writers that may make them cringe a bit less, “I think writer’s conferences are a great way for newbies to get educated in the process of writing. Hanging around a bunch of experienced people in your chosen field is ALWAYS an excellent idea… It’s nice to find somebody a bit further down the path.”

It is safe to say that the thrust of MacGregors ‘honesty’ it to try to challenge writers to be the absolute best they can be. This often means forcing ourselves to work harder at our craft and refusing to use a specific genre as a crutch for mediocre writing.

Have you ever had anyone criticize your writing? Maybe they were just having a bad day. After all some people just can’t seem to say anything nice.

Not everyone is comfortable with criticism, but there may be times when it provides just what you need to move forward in your writing.

There is a man that’s been called the “Simon Cowell of Christian Publishing”. A few quotes from Chip MacGregor might allow you to see that he’s far from being the touchy-feely type. The following quotes were part of a July 2006 interview with Chip MacGregor who is the Associate Publisher with Hachette Book Group USA. The quotes are part of a lengthy interview conducted by the staff at Novel Journey.

“The reason most wannabe authors remain unpublished is because they just aren’t willing to put in the time, to do the hard work and become better at the craft of writing. In other words, laziness will keep you from being a great writer.” &ndash Chip MacGregor

“Some people (many people) seem to be fans, and send me nice notes on occasion, like when they’ve gone off their meds or had too much to drink. Others clearly do NOT like me. Especially nice church ladies who can’t understand why I’d say that a book is bad or a writer has done a terrible job.” &ndash Chip MacGregor

“The only way I could finish the stupid thing was to tear out the pages I’d read and light them on fire, in hopes that occasionally sticking my hand into the flames would keep me awake. Mourn the trees that died so this tome could see print.” &ndash Chip MacGregor

“I’d suggest that many of the Old Testament prophets helped the culture make strides not by being nice, but being honest &ndash even blunt. Ditto Paul. Ditto Jesus, for that matter (take a peek at his criticisms of the upstanding church leadership of His day).” &ndash Chip MacGregor

“So what’s the harm in being honest? Even brutally honest? Can’t we all admit we’ve got stuff to learn?” &ndash Chip MacGregor.

“90% of the stuff I reject is rejected for one reason: it isn’t good enough.” &ndash Chip MacGregor

MacGregor does have advice for writers that may make them cringe a bit less, “I think writer’s conferences are a great way for newbies to get educated in the process of writing. Hanging around a bunch of experienced people in your chosen field is ALWAYS an excellent idea… It’s nice to find somebody a bit further down the path.”

It is safe to say that the thrust of MacGregors ‘honesty’ it to try to challenge writers to be the absolute best they can be. This often means forcing ourselves to work harder at our craft and refusing to use a specific genre as a crutch for mediocre writing.