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One of the most thrilling moments for an author is when they are invited to participate in a book signing. This is often the stamp of approval many writers need, especially with their first book.

Most bookstores see a book signing as a means of increasing foot traffic and promoting a sense of connectedness with the writing community. Most bookstore owners are open to the idea of providing time, space and promotion for a book signing.

From a writers perspective this should be a gold mine in promotion. Bookstore owners will often post notices announcing the book signing; many will also provide announcements in regional newspapers that are designed to promote the book signing.

Bring comfortable shoes and your favorite pen. Then enjoy your moment in the sun.

However, unless you are a well-established author there are a few things that you should not expect from a book signing.

A waiting line.

The sale of a significant amount of books.

Writer’s cramp.

The truth is a book signing will likely result in a few friends, family and an assortment of curious others who have come to have you personally sign their purchased copy of the book.

So, if that’s all there is to it, why do it?

Well, primarily because as a writer you should consider yourself a ‘word farmer’. What I mean by that is a book signing can be a wonderful time to visit with the general public about your book, its subject matter and why you chose to write the book and be willing to wait to see the seed sprout.

In many cases, positive contacts with those who do not purchase your book may ultimately find these patrons returning to purchase the book at a later date.

A book signing isn’t about ‘hawking your wares’ it is about good will and being an ambassador for the craft of writing.

If you have been invited to participate in a book signing do so with good grace and with an eye toward the long-term goals you have in writing. A book signing is simply one small step toward your ultimate destination, enjoy the step, but don’t make too much fuss over it.

There is some form of ego in every writer, but a book signing isn’t a good place to don a prima donna persona. Remember the people who come to see you want to leave with something positive to consider - not an author to avoid.

One of the most thrilling moments for an author is when they are invited to participate in a book signing. This is often the stamp of approval many writers need, especially with their first book.

Most bookstores see a book signing as a means of increasing foot traffic and promoting a sense of connectedness with the writing community. Most bookstore owners are open to the idea of providing time, space and promotion for a book signing.

From a writers perspective this should be a gold mine in promotion. Bookstore owners will often post notices announcing the book signing; many will also provide announcements in regional newspapers that are designed to promote the book signing.

Bring comfortable shoes and your favorite pen. Then enjoy your moment in the sun.

However, unless you are a well-established author there are a few things that you should not expect from a book signing.

A waiting line.

The sale of a significant amount of books.

Writer’s cramp.

The truth is a book signing will likely result in a few friends, family and an assortment of curious others who have come to have you personally sign their purchased copy of the book.

So, if that’s all there is to it, why do it?

Well, primarily because as a writer you should consider yourself a ‘word farmer’. What I mean by that is a book signing can be a wonderful time to visit with the general public about your book, its subject matter and why you chose to write the book and be willing to wait to see the seed sprout.

In many cases, positive contacts with those who do not purchase your book may ultimately find these patrons returning to purchase the book at a later date.

A book signing isn’t about ‘hawking your wares’ it is about good will and being an ambassador for the craft of writing.

If you have been invited to participate in a book signing do so with good grace and with an eye toward the long-term goals you have in writing. A book signing is simply one small step toward your ultimate destination, enjoy the step, but don’t make too much fuss over it.

There is some form of ego in every writer, but a book signing isn’t a good place to don a prima donna persona. Remember the people who come to see you want to leave with something positive to consider - not an author to avoid.

The point of view in any story is important because it provides a guide to manage the execution of your story. Most works of fiction use one point of view although a second perspective can be brought into the story for a short period of time.

Third Person Perspective is the most common method of conveying a work of fiction. This method allows the narrator to have at least limited omniscience. The narrator has limited access to the knowledge and feelings of the characters in the story and can take the reader from one character setting to another easily. There is no questioning of how the narrator knows so much about each individual; it is a premise that is simply accepted by most readers.

Unlike first person perspective that conveys the story from the perspective of a cast member, third person perspective narration does not allow the narrator to actually participate in the action. They are simply the mechanism that operates outside the story to bring the various story threads together.

If a writer were to give the narrator full access to all feelings and thoughts of the cast of characters the story would be a little flat because nothing would be left to the imagination.

Third person narratives can be spotted by the predominate us of words such as they, he, she and it. The narrator talks about others - never about himself.

The least common perspective is Second Person Perspective. Very few novels can utilize this approach throughout an entire work.

This type of fiction relies on words like you and you’re. The use of this type of perspective either assumes you will connect with the story as if it is written to you or that you will understand you are reading a private story written to and about someone else. It is rare to find a full manuscript that uses this perspective although an Epistolary Novel such the C.S. Lewis masterpiece “Screwtape Letters” may likely be considered second person perspective in its entirety.

The trouble many writers get into is an unintentional shift in perspective. This can be used effectively under certain circumstances, however the shift in perspective needs a breaking point to allow the reader to gain some understanding that a shift has taken place. Without a break to qualify the shift in point of view the story becomes confusing because the reader has to work hard at discovering who is actually telling the story.

The point of view in any story is important because it provides a guide to manage the execution of your story. Most works of fiction use one point of view although a second perspective can be brought into the story for a short period of time.

Third Person Perspective is the most common method of conveying a work of fiction. This method allows the narrator to have at least limited omniscience. The narrator has limited access to the knowledge and feelings of the characters in the story and can take the reader from one character setting to another easily. There is no questioning of how the narrator knows so much about each individual; it is a premise that is simply accepted by most readers.

Unlike first person perspective that conveys the story from the perspective of a cast member, third person perspective narration does not allow the narrator to actually participate in the action. They are simply the mechanism that operates outside the story to bring the various story threads together.

If a writer were to give the narrator full access to all feelings and thoughts of the cast of characters the story would be a little flat because nothing would be left to the imagination.

Third person narratives can be spotted by the predominate us of words such as they, he, she and it. The narrator talks about others - never about himself.

The least common perspective is Second Person Perspective. Very few novels can utilize this approach throughout an entire work.

This type of fiction relies on words like you and you’re. The use of this type of perspective either assumes you will connect with the story as if it is written to you or that you will understand you are reading a private story written to and about someone else. It is rare to find a full manuscript that uses this perspective although an Epistolary Novel such the C.S. Lewis masterpiece “Screwtape Letters” may likely be considered second person perspective in its entirety.

The trouble many writers get into is an unintentional shift in perspective. This can be used effectively under certain circumstances, however the shift in perspective needs a breaking point to allow the reader to gain some understanding that a shift has taken place. Without a break to qualify the shift in point of view the story becomes confusing because the reader has to work hard at discovering who is actually telling the story.

One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment. - Hart Crane

Some of the best advice for writers in the 21st century comes from those who have seen their successes and offer advice from their own experience. Let’s draw from that brain trust.

On Writing Well

Show don’t tell. - Henry James

Don’t say the old lady screamed — bring her on and let her scream. - Mark Twain

Cut out all those exclamation marks. An exclamation mark is like laughing at your own joke. - F. Scott Fitzgerald

First drafts are for learning what your novel or story is about. - Bernard Malamud

Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page. When people tell me I’ve kept them up all night, I feel like I’ve succeeded. - Sidney Sheldon

Don’t mistake a good setup for a satisfying conclusion — many beginning writers end their stories when the real story is just ready to begin. - Stanley Schmidt

On Inspiration

Nighttime is really the best time to work. All the ideas are there to be yours because everyone else is asleep. - Catherine O’Hara

I know writers who write only when inspiration comes. How would Isaac Stern play if he played the violin only when he felt like it? He would be lousy. - Madeleine L’Engle

If you wait for inspiration, you’re not a writer, but a waiter. - Anonymous

You can’t wait for inspiration. You have to go after it with a club. - Jack London

The best way to become a successful writer is to read good writing, remember it, and then forget where you remember it from. - Gene Fowler

Read, read, read. Read everything — trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. - William Faulkner

The best time for planning a book is while you’re doing the dishes. - Agatha Christie

So this is always the key: you have to write the book you love, the book that’s alive in your heart. That’s the one you have to write. - Lurleen McDaniel

In the second part in this series we will look at a few words of wisdom from authors regarding writer’s Block, motivation and editing skills.

One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment. - Hart Crane

Some of the best advice for writers in the 21st century comes from those who have seen their successes and offer advice from their own experience. Let’s draw from that brain trust.

On Writing Well

Show don’t tell. - Henry James

Don’t say the old lady screamed — bring her on and let her scream. - Mark Twain

Cut out all those exclamation marks. An exclamation mark is like laughing at your own joke. - F. Scott Fitzgerald

First drafts are for learning what your novel or story is about. - Bernard Malamud

Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page. When people tell me I’ve kept them up all night, I feel like I’ve succeeded. - Sidney Sheldon

Don’t mistake a good setup for a satisfying conclusion — many beginning writers end their stories when the real story is just ready to begin. - Stanley Schmidt

On Inspiration

Nighttime is really the best time to work. All the ideas are there to be yours because everyone else is asleep. - Catherine O’Hara

I know writers who write only when inspiration comes. How would Isaac Stern play if he played the violin only when he felt like it? He would be lousy. - Madeleine L’Engle

If you wait for inspiration, you’re not a writer, but a waiter. - Anonymous

You can’t wait for inspiration. You have to go after it with a club. - Jack London

The best way to become a successful writer is to read good writing, remember it, and then forget where you remember it from. - Gene Fowler

Read, read, read. Read everything — trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. - William Faulkner

The best time for planning a book is while you’re doing the dishes. - Agatha Christie

So this is always the key: you have to write the book you love, the book that’s alive in your heart. That’s the one you have to write. - Lurleen McDaniel

In the second part in this series we will look at a few words of wisdom from authors regarding writer’s Block, motivation and editing skills.

One of the ways many writers can successfully add credentials to their portfolio if to participate in a variety of literary contests. This type of contest encourages writers to put their best foot forward in both creativity and attention to detail.

It is true that there are some contests that provide a cash award for their top finishers, but there are also publishing scams that will accept your work regardless of quality. When you receive notice that your work has been accepted for publication it can be a real boost, however, a quick look at many writer’s websites can help you define the contests that are essentially vanity publishers willing to print just about anything if they believe you will purchase copies of the book for friends and family.

Many cash award writing contests cover the cost of prize awards by charging an entry fee. This factor often discourages many writers who may not feel confident enough in their writing to pay a fee to submit. This allows those who do enter a better chance at placing.

There are also writing contests that present the opportunity to have their work published online, in a magazine or in an anthology. As a rule this type of contest does not require a purchase of the publication the work will appear in nor will they assume full rights of your work. The best writing contests only require a one time non-exclusive print right. This is important because it allows you the opportunity to sell or place the work in other venues.

Beware of forfeiting full (exclusive) rights in any writing contest. When this right is given the ownership of the work is no longer yours. You will have no right to use the material in any form without permission from the publisher. It is possible to pay to enter a contest, forfeit the rights to your work and allow a publisher to gain long-term financial benefit from your work.

Quality writing contests have the bonus feature of allowing you to fine tune your skills by reading the work of others. Reading can make a good writer even better. If you pay attention you can learn what works and what doesn’t while using writing contests as a means of gaining valuable insight into unique styles and structure.

On a positive note, there have been numerous incidents in which individuals who entered a submission for a writing contest were able to use that same work for publishing in other book anthologies and magazines. The key is making sure to participate in writing contests that preserve your right to control the reuse of the piece.

One of the ways many writers can successfully add credentials to their portfolio if to participate in a variety of literary contests. This type of contest encourages writers to put their best foot forward in both creativity and attention to detail.

It is true that there are some contests that provide a cash award for their top finishers, but there are also publishing scams that will accept your work regardless of quality. When you receive notice that your work has been accepted for publication it can be a real boost, however, a quick look at many writer’s websites can help you define the contests that are essentially vanity publishers willing to print just about anything if they believe you will purchase copies of the book for friends and family.

Many cash award writing contests cover the cost of prize awards by charging an entry fee. This factor often discourages many writers who may not feel confident enough in their writing to pay a fee to submit. This allows those who do enter a better chance at placing.

There are also writing contests that present the opportunity to have their work published online, in a magazine or in an anthology. As a rule this type of contest does not require a purchase of the publication the work will appear in nor will they assume full rights of your work. The best writing contests only require a one time non-exclusive print right. This is important because it allows you the opportunity to sell or place the work in other venues.

Beware of forfeiting full (exclusive) rights in any writing contest. When this right is given the ownership of the work is no longer yours. You will have no right to use the material in any form without permission from the publisher. It is possible to pay to enter a contest, forfeit the rights to your work and allow a publisher to gain long-term financial benefit from your work.

Quality writing contests have the bonus feature of allowing you to fine tune your skills by reading the work of others. Reading can make a good writer even better. If you pay attention you can learn what works and what doesn’t while using writing contests as a means of gaining valuable insight into unique styles and structure.

On a positive note, there have been numerous incidents in which individuals who entered a submission for a writing contest were able to use that same work for publishing in other book anthologies and magazines. The key is making sure to participate in writing contests that preserve your right to control the reuse of the piece.

Like most creative professions the question of a qualified success in writing is not easy to concentrate into one definitive answer.

Just as there are a multitude of writing styles, so too are there many examples of writing success.

Examples

1. “If I can just finish my first story, I will have success.”

2. “If I can just work up the courage to submit this to a publisher, I will have success.”

3. “If I can actually receive a check in the mail for a magazine article, I will have success.”

4. “If I can just publish my first book, I will have success.”

5. “If I can just have my book published by a major publisher, I will have success.”

6. “If I can just get my book in the bestseller list, I will have success.”

7. “If I can just keep up with all the writing work I have been commissioned to do, I will have success.”

8. “If I can only be thought of in the same way as other literary giants, I will have success.”

“The secret of contentment is knowing how to enjoy what you have, and to be able to lose all desire for things beyond your reach.” Lin Yu-t’ang

There is a difference between contentment and complacency. In the first case, we learn to be happy in the circumstances we find ourselves in. In the second case, you simply settle for where you are without an interest in doing something more.

“A man will never be content with what he wants until he is content with what he has.” - Bill Gothard

As writers we should always reach for our best. It is a good idea to set a small attainable goal for the short term with perhaps a one and six year plan in place for where we would like to be. This goal can be readjusted annually.

The problem many writers have is they set their goals so high they may not be able to reach them, or they make the goal sacrosanct they miss out on life in pursuit of the goal. Should they actually reach the goal, the effect of reaching the pinnacle often serves as a pin to pop an inflated balloon. For some, the ultimate goal they have chosen leaves them feeling hollow because they never understood the need for contentment. Once the ‘ultimate goal’ is realized the author has nothing more to look forward to and they struggle through issues related to their overall motivation.

By learning the fine art of contentment while refusing to be complacent will serve you well as you wrestle with issues of personal writing success.

Like most creative professions the question of a qualified success in writing is not easy to concentrate into one definitive answer.

Just as there are a multitude of writing styles, so too are there many examples of writing success.

Examples

1. “If I can just finish my first story, I will have success.”

2. “If I can just work up the courage to submit this to a publisher, I will have success.”

3. “If I can actually receive a check in the mail for a magazine article, I will have success.”

4. “If I can just publish my first book, I will have success.”

5. “If I can just have my book published by a major publisher, I will have success.”

6. “If I can just get my book in the bestseller list, I will have success.”

7. “If I can just keep up with all the writing work I have been commissioned to do, I will have success.”

8. “If I can only be thought of in the same way as other literary giants, I will have success.”

“The secret of contentment is knowing how to enjoy what you have, and to be able to lose all desire for things beyond your reach.” Lin Yu-t’ang

There is a difference between contentment and complacency. In the first case, we learn to be happy in the circumstances we find ourselves in. In the second case, you simply settle for where you are without an interest in doing something more.

“A man will never be content with what he wants until he is content with what he has.” - Bill Gothard

As writers we should always reach for our best. It is a good idea to set a small attainable goal for the short term with perhaps a one and six year plan in place for where we would like to be. This goal can be readjusted annually.

The problem many writers have is they set their goals so high they may not be able to reach them, or they make the goal sacrosanct they miss out on life in pursuit of the goal. Should they actually reach the goal, the effect of reaching the pinnacle often serves as a pin to pop an inflated balloon. For some, the ultimate goal they have chosen leaves them feeling hollow because they never understood the need for contentment. Once the ‘ultimate goal’ is realized the author has nothing more to look forward to and they struggle through issues related to their overall motivation.

By learning the fine art of contentment while refusing to be complacent will serve you well as you wrestle with issues of personal writing success.