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Introduction

The biggest nightmare in any student’s academics is the task of that assignment, term paper, thesis or project for which he or she has got no clue where to get started from. Here are a few tips and techniques that can cure up this plight if taken and followed seriously.

The biggest question mark after getting the research question is, “So! What am I supposed to do now?” Everything from books to the internet is available, but you can’t get yourself started. Why? Because, you don’t know how to start. What to take and what to leave?

Remember! Before initiating any written project it is necessary to decide the “angle of attack”. It means the perspective that you are going to follow while tackling your assignment. Once decided, evaluate its relevancy related to your thesis statement or research question. Satisfied with that, consider half work done.

The next step involves collection of information related to the assignment. With this, the next thing that comes to mind is “search engine” and “library books”. But few people come with real related material. Mostly what we come up with is unnecessary junk that is just to be deleted later. To avoid waste of time instead just follow the bottom line:

“GET ONE PERSPECTIVE OF YOUR RESEARCH STATEMENT AND FOLLOW THAT”

But then it strikes that you will be left with only a little material by the end. Well this is not true. Because as you build up a specific standpoint and organize yourself to work on that, the fine points and details start pouring themselves.

Enhance your thinking potential by using logical principals, but once you are on your way then make yourself free. That is think and generate with passion because when you are building up a format then working with logical thinking hampers the productivity hence results are not achieved to their fullest .Don’t set up goals, just give a free flow and let your imagination take the toll.

But once you are done with the thinking process and have settled on a vague outline then you should come to the systematic logical thinking. For assembling your project effectively:

Start with an exact definition and brief description

Build the frame of your assignment on the content available with you

Be innovative and put down your approach in the text

Be like an educator and explore different aspects

Be bold to decide what you want to put and cut

Never bother yourself with the start, middle and end structure. Organization and editing is the last step. Be sure to store every idea and thought to arrange it in your work later.

During your job, you will be struck with your own convention. Mostly people discard it and continue with what they have with them beforehand. That’s the biggest mistake one makes. Remember! Your teacher wants the answer from you. So whatever you come up with is highly appreciated as long as you have got enough logic and rational background to support it. So, be yourself.

Introduction

The biggest nightmare in any student’s academics is the task of that assignment, term paper, thesis or project for which he or she has got no clue where to get started from. Here are a few tips and techniques that can cure up this plight if taken and followed seriously.

The biggest question mark after getting the research question is, “So! What am I supposed to do now?” Everything from books to the internet is available, but you can’t get yourself started. Why? Because, you don’t know how to start. What to take and what to leave?

Remember! Before initiating any written project it is necessary to decide the “angle of attack”. It means the perspective that you are going to follow while tackling your assignment. Once decided, evaluate its relevancy related to your thesis statement or research question. Satisfied with that, consider half work done.

The next step involves collection of information related to the assignment. With this, the next thing that comes to mind is “search engine” and “library books”. But few people come with real related material. Mostly what we come up with is unnecessary junk that is just to be deleted later. To avoid waste of time instead just follow the bottom line:

“GET ONE PERSPECTIVE OF YOUR RESEARCH STATEMENT AND FOLLOW THAT”

But then it strikes that you will be left with only a little material by the end. Well this is not true. Because as you build up a specific standpoint and organize yourself to work on that, the fine points and details start pouring themselves.

Enhance your thinking potential by using logical principals, but once you are on your way then make yourself free. That is think and generate with passion because when you are building up a format then working with logical thinking hampers the productivity hence results are not achieved to their fullest .Don’t set up goals, just give a free flow and let your imagination take the toll.

But once you are done with the thinking process and have settled on a vague outline then you should come to the systematic logical thinking. For assembling your project effectively:

Start with an exact definition and brief description

Build the frame of your assignment on the content available with you

Be innovative and put down your approach in the text

Be like an educator and explore different aspects

Be bold to decide what you want to put and cut

Never bother yourself with the start, middle and end structure. Organization and editing is the last step. Be sure to store every idea and thought to arrange it in your work later.

During your job, you will be struck with your own convention. Mostly people discard it and continue with what they have with them beforehand. That’s the biggest mistake one makes. Remember! Your teacher wants the answer from you. So whatever you come up with is highly appreciated as long as you have got enough logic and rational background to support it. So, be yourself.

The formal definition of an intro is a brief introductory passage. What is important is that you get the story right; it needs to encapsulate the essence or spirit of your overall point, try communicating through example. Capturing the essence is not enough; if nobody reads far enough to grasp the main point of the story then its purpose is lost.

If you are going to start writing, make sure it is a short intro. When readers see a headline they expect the writing below it to contain content which relates to that headline. There is only so much time a reader will spend with an intro about sports when the headline suggested the article was about vacations. Even if the intro, at its end, would have captured the essence of what the author was trying to say. Ask yourself; is it short enough that a reader is not losing his patience before the writing returns to the topic at hand?

The piece above contains an intro that is quite short. This kind of intro has the potential to work very well as long as the reader knows what they are reading. Readers know what the article is going to tell them in broad terms and so they know what to look-out for within the story.

Starting with a long introduction that appears to bear no relevance to the headline is the number one killer of otherwise good writing. When using long anecdotes you need to let your readers know before you begin how it relates to your topic, or many readers will drop out of your article before you have a chance to illustrate your point.

More essence in fewer words; the function of an introduction is to convey something about your broader point. Think about your intro as a whole and consider which details help do this and which do not. Extra details like dates, names, descriptions and diversions, if not necessary to the essence of the anecdote, serve only to distract the reader.

For more details and my inspiration for this article you can visit my site mentioned in the Author field.

The formal definition of an intro is a brief introductory passage. What is important is that you get the story right; it needs to encapsulate the essence or spirit of your overall point, try communicating through example. Capturing the essence is not enough; if nobody reads far enough to grasp the main point of the story then its purpose is lost.

If you are going to start writing, make sure it is a short intro. When readers see a headline they expect the writing below it to contain content which relates to that headline. There is only so much time a reader will spend with an intro about sports when the headline suggested the article was about vacations. Even if the intro, at its end, would have captured the essence of what the author was trying to say. Ask yourself; is it short enough that a reader is not losing his patience before the writing returns to the topic at hand?

The piece above contains an intro that is quite short. This kind of intro has the potential to work very well as long as the reader knows what they are reading. Readers know what the article is going to tell them in broad terms and so they know what to look-out for within the story.

Starting with a long introduction that appears to bear no relevance to the headline is the number one killer of otherwise good writing. When using long anecdotes you need to let your readers know before you begin how it relates to your topic, or many readers will drop out of your article before you have a chance to illustrate your point.

More essence in fewer words; the function of an introduction is to convey something about your broader point. Think about your intro as a whole and consider which details help do this and which do not. Extra details like dates, names, descriptions and diversions, if not necessary to the essence of the anecdote, serve only to distract the reader.

For more details and my inspiration for this article you can visit my site mentioned in the Author field.

Okay, so I didn’t really write a whole novel on my lunch hour. But I did develop a lot of the characters, locations and plot by taking a half-hour out of each workday to sketch some ideas. You’d be surprised with what you can get done in just thirty minutes a day.

First, a little background. I had a job that was driving me crazy. Corporate priorities at the company I worked for changed on a weekly basis. Projects I managed got cancelled halfway through development, blew up on the launch pad, or went on indefinitely without any measurement of success. My job had become more about shuffling papers and schedules than creating great work. I was frustrated. My thoughts turned to that novel I’d never managed to write.

But how was I going to write it? I never had time. When I got home from work every day, it was late. I was tired and cranky, unable to do much but eat dinner and go to sleep. Weekends were filled with taking care of the house, doing laundry, seeing family. I needed to come up with some kind of plan if I was going to get anything done. I began by promising myself I’d take a half-hour break each day at work, pick up a notepad and pencil and write down whatever came into my head.

Some days I went out for lunch, sat by myself at the juice bar or taco stand and wrote as I ate. On days when I’d brought lunch from home, I’d drive to a distant parking lot or side street and sit in my car, making notes. And on days when I couldn’t get out for lunch, I’d make sure to reserve a private half hour slot in the corporate calendar so no one could schedule me for a meeting. At the appointed time, I’d pick up my notebook, find a cubbyhole in some corner of the building where staff rarely went, sit down and start writing.

At first it was difficult to put aside thoughts of work. But soon enough, by implementing some simple strategies, I was able to write at least a couple of pages each day. Some days I just scrawled out lists of phrases, adjectives, names and on others I managed a few paragraphs of tolerable prose. But the more I did it, the easier it became. After three months I’d filled two notebooks with ideas for characters, situations, locations. My novel had shape. Rough shape, to be sure, but shape nonetheless.

There were other benefits, too, ones I hadn’t expected. Writing in my notebook for half an hour gave me a sense of satisfaction that helped alleviate the stress of my job. My afternoons became lighter, less dreary. I dare say I developed a spring in my step that hadn’t been there before. It also gave me the confidence to look for a new job, one with less time load, so I could dedicate myself to completing the work.

So if time is a problem for you, here’s ten suggestions on how to start a lunch-hour writing routine, including some tips to keep you on track.

1. Character sketches

Pick a character you’ve thought about. Or invent a new one on the spot. Start with a name. Is the character male or female? How old? Single, attached or married? What color eyes? What color hair? What do they do for a living? Where do they live? Start with the city or town, then add details. What does their house or apartment look like? Details make a difference. Keep adding as many details as you can. What kind of car does your character drive (if they drive)? What do they eat for breakfast? What kind of clothes do they wear?

2. Location sketches

Again, start from the general and work your way down to the details. You can start with a real location or imagine one, or start with a real one and move to an imagined one. Is the location outside or inside? Who’s there? If it’s outside, what kind of plants and animals might there be? Once you’ve come up with the idea, take a tour of the location in your mind. Walk through it, pause, look around. What do you see? Step through your senses as you look around. How does it smell? What does it look like? What do you hear?

3. Mix it up

Once you have a dozen characters and locations or so, try putting them together. What would happen if character A and character D met at location C? Why would they be there? Are they meeting there for the first time or do they already know one another? How does each respond to the meeting?

4. Schedule your sessions

Put it in your calendar system. It’s easier to make yourself write when you treat the process like all your other business meetings.

5. Get out of the cubicle

There’s too many distractions in your workspace. How are you going to be creative with all those responsibilities staring you in the face?

6. Turn off your cell phone

There’s nothing so important it can’t wait a half hour.

7. Get a pad of paper, and a pencil or pen

Computers are great for making things look nice. They’re not great for brainstorming. A pad of paper allows you to write in the margins, scrawl anywhere.

8. Pause, but don’t stop

Don’t spend twenty minutes deciding if your character prefers donuts to bagels. That can come later. Just pick one and see what happens. Writing things down, anything, pushes you forward.

9. Don’t worry about “writing”

This is not the time to critically assess the quality of your prose. In fact, you may not want to “write” at all in this first phase. Make lists of character qualities or location features. Make lists of names for characters. On the other hand, don’t be afraid to start writing, either. Go with whatever feels right that day.

10. Don’t worry, period.

If nothing much happens at first, don’t worry about it. It’s just a half-hour out of your day. At worst it was a quiet break. And you get to come back again tomorrow.

Okay, so I didn’t really write a whole novel on my lunch hour. But I did develop a lot of the characters, locations and plot by taking a half-hour out of each workday to sketch some ideas. You’d be surprised with what you can get done in just thirty minutes a day.

First, a little background. I had a job that was driving me crazy. Corporate priorities at the company I worked for changed on a weekly basis. Projects I managed got cancelled halfway through development, blew up on the launch pad, or went on indefinitely without any measurement of success. My job had become more about shuffling papers and schedules than creating great work. I was frustrated. My thoughts turned to that novel I’d never managed to write.

But how was I going to write it? I never had time. When I got home from work every day, it was late. I was tired and cranky, unable to do much but eat dinner and go to sleep. Weekends were filled with taking care of the house, doing laundry, seeing family. I needed to come up with some kind of plan if I was going to get anything done. I began by promising myself I’d take a half-hour break each day at work, pick up a notepad and pencil and write down whatever came into my head.

Some days I went out for lunch, sat by myself at the juice bar or taco stand and wrote as I ate. On days when I’d brought lunch from home, I’d drive to a distant parking lot or side street and sit in my car, making notes. And on days when I couldn’t get out for lunch, I’d make sure to reserve a private half hour slot in the corporate calendar so no one could schedule me for a meeting. At the appointed time, I’d pick up my notebook, find a cubbyhole in some corner of the building where staff rarely went, sit down and start writing.

At first it was difficult to put aside thoughts of work. But soon enough, by implementing some simple strategies, I was able to write at least a couple of pages each day. Some days I just scrawled out lists of phrases, adjectives, names and on others I managed a few paragraphs of tolerable prose. But the more I did it, the easier it became. After three months I’d filled two notebooks with ideas for characters, situations, locations. My novel had shape. Rough shape, to be sure, but shape nonetheless.

There were other benefits, too, ones I hadn’t expected. Writing in my notebook for half an hour gave me a sense of satisfaction that helped alleviate the stress of my job. My afternoons became lighter, less dreary. I dare say I developed a spring in my step that hadn’t been there before. It also gave me the confidence to look for a new job, one with less time load, so I could dedicate myself to completing the work.

So if time is a problem for you, here’s ten suggestions on how to start a lunch-hour writing routine, including some tips to keep you on track.

1. Character sketches

Pick a character you’ve thought about. Or invent a new one on the spot. Start with a name. Is the character male or female? How old? Single, attached or married? What color eyes? What color hair? What do they do for a living? Where do they live? Start with the city or town, then add details. What does their house or apartment look like? Details make a difference. Keep adding as many details as you can. What kind of car does your character drive (if they drive)? What do they eat for breakfast? What kind of clothes do they wear?

2. Location sketches

Again, start from the general and work your way down to the details. You can start with a real location or imagine one, or start with a real one and move to an imagined one. Is the location outside or inside? Who’s there? If it’s outside, what kind of plants and animals might there be? Once you’ve come up with the idea, take a tour of the location in your mind. Walk through it, pause, look around. What do you see? Step through your senses as you look around. How does it smell? What does it look like? What do you hear?

3. Mix it up

Once you have a dozen characters and locations or so, try putting them together. What would happen if character A and character D met at location C? Why would they be there? Are they meeting there for the first time or do they already know one another? How does each respond to the meeting?

4. Schedule your sessions

Put it in your calendar system. It’s easier to make yourself write when you treat the process like all your other business meetings.

5. Get out of the cubicle

There’s too many distractions in your workspace. How are you going to be creative with all those responsibilities staring you in the face?

6. Turn off your cell phone

There’s nothing so important it can’t wait a half hour.

7. Get a pad of paper, and a pencil or pen

Computers are great for making things look nice. They’re not great for brainstorming. A pad of paper allows you to write in the margins, scrawl anywhere.

8. Pause, but don’t stop

Don’t spend twenty minutes deciding if your character prefers donuts to bagels. That can come later. Just pick one and see what happens. Writing things down, anything, pushes you forward.

9. Don’t worry about “writing”

This is not the time to critically assess the quality of your prose. In fact, you may not want to “write” at all in this first phase. Make lists of character qualities or location features. Make lists of names for characters. On the other hand, don’t be afraid to start writing, either. Go with whatever feels right that day.

10. Don’t worry, period.

If nothing much happens at first, don’t worry about it. It’s just a half-hour out of your day. At worst it was a quiet break. And you get to come back again tomorrow.

One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment. - Hart Crane

Some of the best advice for writers in the 21st century comes from those who have seen their successes and offer advice from their own experience. Let’s draw from that brain trust.

On Writing Well

Show don’t tell. - Henry James

Don’t say the old lady screamed — bring her on and let her scream. - Mark Twain

Cut out all those exclamation marks. An exclamation mark is like laughing at your own joke. - F. Scott Fitzgerald

First drafts are for learning what your novel or story is about. - Bernard Malamud

Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page. When people tell me I’ve kept them up all night, I feel like I’ve succeeded. - Sidney Sheldon

Don’t mistake a good setup for a satisfying conclusion — many beginning writers end their stories when the real story is just ready to begin. - Stanley Schmidt

On Inspiration

Nighttime is really the best time to work. All the ideas are there to be yours because everyone else is asleep. - Catherine O’Hara

I know writers who write only when inspiration comes. How would Isaac Stern play if he played the violin only when he felt like it? He would be lousy. - Madeleine L’Engle

If you wait for inspiration, you’re not a writer, but a waiter. - Anonymous

You can’t wait for inspiration. You have to go after it with a club. - Jack London

The best way to become a successful writer is to read good writing, remember it, and then forget where you remember it from. - Gene Fowler

Read, read, read. Read everything — trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. - William Faulkner

The best time for planning a book is while you’re doing the dishes. - Agatha Christie

So this is always the key: you have to write the book you love, the book that’s alive in your heart. That’s the one you have to write. - Lurleen McDaniel

In the second part in this series we will look at a few words of wisdom from authors regarding writer’s Block, motivation and editing skills.

One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment. - Hart Crane

Some of the best advice for writers in the 21st century comes from those who have seen their successes and offer advice from their own experience. Let’s draw from that brain trust.

On Writing Well

Show don’t tell. - Henry James

Don’t say the old lady screamed — bring her on and let her scream. - Mark Twain

Cut out all those exclamation marks. An exclamation mark is like laughing at your own joke. - F. Scott Fitzgerald

First drafts are for learning what your novel or story is about. - Bernard Malamud

Usually, when people get to the end of a chapter, they close the book and go to sleep. I deliberately write a book so when the reader gets to the end of the chapter, he or she must turn one more page. When people tell me I’ve kept them up all night, I feel like I’ve succeeded. - Sidney Sheldon

Don’t mistake a good setup for a satisfying conclusion — many beginning writers end their stories when the real story is just ready to begin. - Stanley Schmidt

On Inspiration

Nighttime is really the best time to work. All the ideas are there to be yours because everyone else is asleep. - Catherine O’Hara

I know writers who write only when inspiration comes. How would Isaac Stern play if he played the violin only when he felt like it? He would be lousy. - Madeleine L’Engle

If you wait for inspiration, you’re not a writer, but a waiter. - Anonymous

You can’t wait for inspiration. You have to go after it with a club. - Jack London

The best way to become a successful writer is to read good writing, remember it, and then forget where you remember it from. - Gene Fowler

Read, read, read. Read everything — trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. - William Faulkner

The best time for planning a book is while you’re doing the dishes. - Agatha Christie

So this is always the key: you have to write the book you love, the book that’s alive in your heart. That’s the one you have to write. - Lurleen McDaniel

In the second part in this series we will look at a few words of wisdom from authors regarding writer’s Block, motivation and editing skills.

The most valuable of talents is never using two words when one will do. - Thomas Jefferson

There are many books that provide tips and guidance for publishing success. This series of articles takes you directly to a trusted source of wisdom &ndash established authors. The hope is the experiences they have encountered will assist you in your writing objectives.

On Editing

There is but one art, to omit! - Robert Louis Stevenson

A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. - William Strunk, Jr., from The Elements of Style

My most important piece of advice to all you would-be writers: when you write, try to leave out all the parts readers skip. - Elmore Leonard

The great art of writing is knowing when to stop. - Josh Billings

As to the adjective, when in doubt, strike it out. — Mark Twain

When rewriting, move quickly. It’s a little like cutting your own hair. - Robert Stone

Put it before them briefly so they will read it, clearly so they will appreciate it, picturesquely so they will remember it and, above all, accurately so they will be guided by its light. - Joseph Pulitzer

On Writer’s Block

If you are in difficulties with a book, try the element of surprise: attack it an hour when it isn’t expecting it. - H. G. Wells

On Motivation

Better to write for yourself and have no public, than to write for the public and have no self. - Cyril Connolly

The most original thing a writer can do is write like himself. It is also the most difficult task. - Robertson Davies

If you wish to be a writer, write. - Epictetus

Talent is helpful in writing, but guts are absolutely essential. - Jessamyn West

You write about the thing that sank its teeth into you and wouldn’t let go. - Paul West

On Humility

Young writers should be encouraged to write, and discouraged from thinking they are writers. - Wallace Stegner

In the third and final part in this series we will look at a few words of wisdom from authors on the naming of your work, learning from the success and failure of other writers and the inner struggles authors often face.

The most valuable of talents is never using two words when one will do. - Thomas Jefferson

There are many books that provide tips and guidance for publishing success. This series of articles takes you directly to a trusted source of wisdom &ndash established authors. The hope is the experiences they have encountered will assist you in your writing objectives.

On Editing

There is but one art, to omit! - Robert Louis Stevenson

A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. - William Strunk, Jr., from The Elements of Style

My most important piece of advice to all you would-be writers: when you write, try to leave out all the parts readers skip. - Elmore Leonard

The great art of writing is knowing when to stop. - Josh Billings

As to the adjective, when in doubt, strike it out. — Mark Twain

When rewriting, move quickly. It’s a little like cutting your own hair. - Robert Stone

Put it before them briefly so they will read it, clearly so they will appreciate it, picturesquely so they will remember it and, above all, accurately so they will be guided by its light. - Joseph Pulitzer

On Writer’s Block

If you are in difficulties with a book, try the element of surprise: attack it an hour when it isn’t expecting it. - H. G. Wells

On Motivation

Better to write for yourself and have no public, than to write for the public and have no self. - Cyril Connolly

The most original thing a writer can do is write like himself. It is also the most difficult task. - Robertson Davies

If you wish to be a writer, write. - Epictetus

Talent is helpful in writing, but guts are absolutely essential. - Jessamyn West

You write about the thing that sank its teeth into you and wouldn’t let go. - Paul West

On Humility

Young writers should be encouraged to write, and discouraged from thinking they are writers. - Wallace Stegner

In the third and final part in this series we will look at a few words of wisdom from authors on the naming of your work, learning from the success and failure of other writers and the inner struggles authors often face.